Racquet
A work in progress. A reinterpretation of historical rounded grotesk typefaces. Inspired by the likes of Schmale runde Grotesk and its derivatives.
A work in progress. A reinterpretation of historical rounded grotesk typefaces. Inspired by the likes of Schmale runde Grotesk and its derivatives.
A work in progress. Mono-linear, geometric, humanist sans serif.
Type design fan-fiction looking at late 19th century Gothics through the lens of mid-20th century Neo-grotesques.
Specimens, project information, and purchasing options available at Order Type Foundry.
An experimental text sans that started as a formal experiment with the modularity of Frank E. Blokland’s lettermodel.
Specimens, project information, and purchasing options available at Order Type Foundry.
Originally drawn for a poster designed for the 9th Annual Spectacle Shriek Show, a day-long horror movie marathon. Inspiration came from typefaces that I consider synonymous with the horror genre due to their presence on movie posters, paperbacks, and VHS covers from the 70s & 80s, and combining their characteristics into an evil ‘amalgam’.
A digital revival of the American Type Founder’s Gothic No. 578, which was originally released by Inland Type Foundry as Gothic No. 8 and Keystone Type Foundry as Standard Gothic. While staying faithful to the original outlines, the revival adds a few modernizations like kerning, an expanded character set and OpenType stylistic sets that reflect the changes in design between the Inland and Keystone releases.
My Type@Cooper project. A text face designed for the Spectacle and its cheaply printed monthly calendar of programming.
